Video Demons Do Psychotown – Full Movie

Video Demons Do Psychotown – Full Movie

September 9, 2019 0 By William Hollis


[music playing] What’s bothering you? We’re never gonna have
this video done in two days. We need help. Here we go again. This is about Scott, isn’t it? I thought you were
through with him. It’s about getting
this done, Eric. And I suppose he doesn’t
approve of me taking you to Casa Della either. We should’ve let him help us. He knows what he’s doing. ERIC: And I don’t? Well, your old
boyfriend isn’t hanging around us in this project. I wouldn’t trust that
jealous creep for a minute. You’re the one who’s jealous. You won’t believe how
many phonies live there. Heh. Those psychics just crack me up. How do you know? Maybe some of them are real. And what about the
premonitions I’ve been having? I’m sure there’s
a reason for it. As far as you and those
people being psychic, that’s just a bunch of crap. [eerie music playing] Damn! KAREN: Did it scratch anything? It’s all right. We gotta do something
about that tree. Somebody’s gonna get hurt. Let’s get some shots off
while it’s still light. Where do you wanna start? Uh, how about the
front of the house? OK. What happened here? I thought I told
you about that. No, you didn’t tell me. Was somebody hurt? A guy died. When? Last week. How did it happen? Some kind of accident. they’re still not sure. Eric. I don’t believe you. How could you? What’s the matter? Stuff like that
happens all the time. No, it doesn’t
happen all the time, and why didn’t you tell me? I was afraid you
wouldn’t help me. Well, are you gonna
stand there all day? If I don’t finish
this, I don’t graduate. Camera’s ready. [creepy music playing] Let’s go over here and
get some high angles. Yeah. Cortlin loves this moody stuff. Professor Cortlin also
loves a good script, which you don’t have. She knows we’re doing
it from an outline. You’re doing this
from an outline. I’m on camera. I’m Ready. And roll it. Tape’s rolling. I’m sorry about earlier, OK? OK. Let’s go over here
and get another angle. Let’s get some
shots of that tree. It’s great, isn’t it? KAREN: I don’t know. It scares me. ERIC: There you go again,
reading in to things. It’s much bigger
than I thought. It’ll make a great bed
and breakfast place. All we need is a fortune teller. Take a look around. I’ll get the stuff. OK. MALE VOICE (VOICEOVER):
You got me fired. DEEP MALE VOICE (VOICEOVER):
I tried to be reasonable. FEMALE VOICE
(VOICEOVER): My children need a fair place to grow up. MALE VOICE (VOICEOVER):
We need to take matters into our own hand. DEEP MALE VOICE (VOICEOVER):
Your threats are idle. MALE VOICE (VOICEOVER):
You’re starving my family. DEEP MALE VOICE (VOICEOVER):
You make your own choice. MALE VOICE (VOICEOVER): I
won’t live like this anymore. MALE VOICE (VOICEOVER):
Your money can’t control us. DEEP MALE VOICE
(VOICEOVER): Then leave. I own everything here. FEMALE VOICE (VOICEOVER):
He’s giving us no choice. FEMALE VOICE (VOICEOVER):
I’m not going to live in a town you run. DEEP MALE VOICE (VOICEOVER):
This is my town. MALE VOICE (VOICEOVER):
We have to do something. FEMALE VOICE
(VOICEOVER): We will. DEEP MALE VOICE
(VOICEOVER): You can’t. FEMALE VOICE (VOICEOVER):
Starting now. DEEP MALE VOICE
(VOICEOVER): I’ll get even. [creaking] [screaming] ERIC: Karen, are you up there? KAREN: I’m in the bathroom. Hey, what’s going on? Nothing. You look like you’re
in one of those trances. KAREN: I thought I saw
something on the wall. You know I don’t believe
in that deja vu stuff. If I did, I’d really
be insecure knowing you could read my mind and all. Doesn’t take a psychic to
know what’s on your mind. Well, what am I thinking? [music playing] I hope they don’t
see the camera. If I take it in, I
can get better angles. Uh, it might make them nervous. Hey, it’s not like we’re gonna
sell the thing, you know? OK. If you say so. Good. Follow me. We don’t like publicity here. This is for my video class. How about it? I know who you are. Your father’s restoring
the old Packard place. Yeah. And it’s looking
really good too. A hotel for
discriminating psychics? I don’t think it’s
such a good idea. What’s the matter? You folks afraid of
a little competition? We don’t need to compete. We’ve managed to
survive very nicely, and we don’t
commercialize our gifts. Well, what do you
call all those signs you see around town? Those are guides to help people
with their spiritual needs. Could’ve fooled me. Anyway. You’re an outsider. You don’t belong here. The best thing you and
your father could do is forget Casa Della,
forget the Packard place. It ought to be burned
down, not glorified. You mean that’s
all you have to say? Thanks a lot, bitch. PSYCHIC (VOICEOVER):
I know who you are. What did she say to you? Nothing. She was upset about something. I could feel it. She practically told
you to get out of town. What a bitch. Maybe they’re
upset at my father. He’s had a lot of
problems in this town. It goes deeper than that. Why are you always trying to
look for some hidden meaning? I thought she
made it very clear. Come on, give me
a break, will you? What did you say to him? We argued. Argued about what? Competition in business. Competition? I’ll show them what
competition means. I told them to get out of
town before it’s too late. The girl’s the problem. She’ll be on to everything. Then we’re right back where
we started, with nothing. We can’t afford
to lose all this. We fought so hard for it. What about the boyfriend? Oh, he’s no problem. He’s asleep at the wheel. Nowhere near as
smart as his father. Look at this. Another tourist trap. Let’s tape it. People who live in glass
houses shouldn’t throw stones. Hey, I’m not my old man. I don’t know why these
people are so hostile. It’s making me
feel uncomfortable. KAREN: Maybe they’re
trying to cover up that scaffolding accident. ERIC: Yeah. I’ll ask them about that. You ain’t gonna get much help
from anybody, because they don’t want you here. I’m starting to get the
feeling, loud and clear. What makes you think that the
people are talking about you? I’m talking about you. Me? You been feeling it ever since
you been here, and you know it. The people in the town
are feeling your presence, and that’s why they are afraid. Does our camera
make them nervous? Your TV camera
ain’t seeing nothing. I’m talking about
seeing what’s beyond. Are you saying that
someone deliberately tampered with the scaffolding? Don’t you listen when
people talk to you? Then what do you mean? The folks around here
are hiding something, and it ain’t the scaffolding. Are you saying someone,
or the whole town? [bell rings] Edward. What’s wrong? I gotta talk to you. Now. In private. I’ll be right back. What do you mean, bursting
in here like that? You saw me talking
to those kids. There’s enough
commotion going on round here now without
you come running in here acting like a fool. My head. What about your head? You gotta stop the pain
and get rid of the voices. What voices? It’s like the night when
they killed Mr. Packard. You know you not supposed
to talk about that. They’re getting ready
for another killing. Why don’t they leave me alone? Ain’t nobody trying
to get into your head. It’s that girl. She’s the one that should
be picking up on it. Not you. Will you help me? Mike, you know I don’t wanna
be mixed up in no killing stuff. It’s bad for my
business, and I got to think about my retirement. Please. Well, OK. Just wait there. You go back home and don’t
come back to Casa Della. I wonder what they said. Hard telling with these people. KAREN: I feel like everything
is closing in on me. Getting cold feet? I’m not getting cold feet. Takes more than a town
of psychics to scare me. Karen, you know I don’t
believe in that stuff. I thought you did
believe in that stuff. That’s why you wanted me
to help you with this. [chatter] This your normal Friday
night crowd, or is this just a bunch of weirdos? You two know what you want? Um, I’ll have a
margarita, no salt, please. Same here. We can’t make ’em. Uh, how about a
strawberry daiquiri? The regular bartender isn’t
here today, and this guy, he can’t even mix a drink, so
all we got is beer and wine. What kind of beer do you have? Draft. Light and regular. I mean, what kind? Like what brand? It’s a local beer. You probably never even
heard of it anyway. Well, what do you want? Beer or soda? -Well, I guess I’ll have a beer.
-Look. Do you wanna order or not? I got work to do. I’ll have a beer. Lite. And regular for me. Glasses or pitchers? We’ll take two large glasses,
and bring us a bill, OK? Don’t tell me
that can do my job. It can do anything. Astrology charts, biorhythms. KAREN: It has no soul. It’s just a machine. I’ve been reading
palms for years. Can it do that? Yeah. All it takes is
enough online storage to record a significant
sample of palm readings done by professionals. The memory just has to
sort through the database and find a matching palm. With today’s computers, it
can be done in a few seconds. We’ve got to keep
up with the times. Isn’t anything sacred anymore? I thought you didn’t
believe in that stuff. I don’t. Well, you know what I mean. Tell that waiter to
keep his trap shut. Get them out of here. I can’t just throw them out. They’ll get suspicious. Cyntia wants you
to make them move. Do it. Boy, you guys are crazy. Can you imagine having
parents like this? That’s not very nice. They can’t help
the way they are. They even dress funny. Just don’t start anything, OK? I’m not starting anything. You can pay at the
register on your way out. Would you mind
doing us a favor? Look. Don’t go pointing your
TV camera around here. Ain’t nobody giving
any interviews. Hey, man. Don’t go making a
bad guy out of me. I’m just trying to graduate. Now, can you help us out? You want some advice? Anybody here will be
happy to give it to you. Well, the problem is, if it’s
free, it’s always worthless. Eric, don’t. My old man’s nuts
if he thinks I’m working for him this summer. This town sucks. The energy is really bad. It’s called attitude. Let’s get out of here. What a terrible day. WOMAN (ON TV): You’re not gonna
get much help from anybody, ’cause they don’t want you here. ERIC (ON TV): I’m
starting to get the feeling, loud and clear. WOMAN (ON TV): What makes
you think the people are talking about you? I’m talking about you. Why didn’t you keep
the camera on her? I don’t know. She scared me. It was a bad idea, coming here. ERIC: Well, I’m not
letting a bunch of weirdo get in the way of our project. That woman was not weird. She was scared. WOMAN (ON TV): You’re not gonna
get much help from anybody, ’cause they don’t want you here. ERIC (ON TV): I’m
starting to get the feeling, loud and clear. WOMAN (ON TV): What makes
you think the people are talking about you? I’m talking about you. [eerie music playing] You gonna sit there all night? It’s kinda lonely here. I can’t sleep. Who says we have to sleep? Can’t you see that
something’s bothering me? Are you still mad at me? I said I was sorry. KAREN: About what? The accident this afternoon. No. It’s not that. Then what’s going on? I don’t know. I haven’t felt this way
since my father died. You had me worried
for a minute. Though you had lost
interest in me. Eric, stop being so insecure. This has nothing to do with you. You’re right. That was kind of selfish of me. Dumb, too. Is there anything I can do? No. I’m just a little restless, OK? Then why not come back to bed? We don’t have to do anything. Maybe I shouldn’t have put
so much pressure on you to help me out of this mess. I told you. This has to do with me. OK. I understand. Are you sure? Of course. You want to be alone. If you need anything,
just give me a holler. [demonic whispering] DEMONIC VOICE (VOICEOVER):
See the voices. You know what they’re thinking. MALE VOICE (VOICEOVER):
We’re gonna be working on this place ’til winter. MALE VOICE (VOICEOVER): Yeah. It gives me the creeps. MALE VOICE (VOICEOVER):
Old man Packard haunts it. MALE VOICE (VOICEOVER): It
wasn’t haunted ’til that night. MALE VOICE (VOICEOVER):
You wanted him dead too. MALE VOICE (VOICEOVER): I
wasn’t in on this town killing, you know. MALE VOICE (VOICEOVER):
Watch the edge. It scared me. MALE VOICE (VOICEOVER): You guys
aren’t supposed to be afraid. MALE VOICE (VOICEOVER):
Don’t worry. Give me a hand over here. MALE VOICE (VOICEOVER):
I’m trying. MALE VOICE (VOICEOVER):
Don’t walk over there. MALE VOICE (VOICEOVER):
I hate working up here. MALE VOICE (VOICEOVER):
Just be careful. Watch it! MALE VOICE (VOICEOVER):
Oh my god, what happened? MALE VOICE (VOICEOVER): Gravel! Hurry! [shouting] MALE VOICE (VOICEOVER):
Is he alive? FEMALE VOICE (VOICEOVER):
Old man Packard did this. MALE VOICE (VOICEOVER):
Get an ambulance. MALE VOICE (VOICEOVER):
This house is haunted. MALE VOICE (VOICEOVER):
It’s too late. [buzzing] WOMAN (ON TV): You’re not gonna
get much help from anybody, ’cause they don’t want you here. ERIC (ON TV): I’m starting to
get the feeling loud and clear. WOMAN (ON TV): What makes
you think the people are talking about you? I’m talking about you. You’re not gonna get
much help from anybody, ’cause they don’t want you here. ERIC (ON TV): I’m starting to
get the feeling loud and clear. FEMALE VOICE (VOICEOVER): What
makes you think the people are talking about you? I’m talking about you. [demonic voice] [thunder] This don’t look
like no storm to me. You kids fool around with
this electricity last night? ERIC: Course not. Somebody sure cut the
hell out of these cables. It wasn’t lightning? Lightning don’t
use no wire cutter. Whoever did this
was a damned fool. Could’ve been killed
in this rain and all. Why would anybody do
anything like that? There. Good as new. That’ll be $30. Cash. What’s everyone trying
to hide around here. Old man Packard died in
this house, right up there. Where? In the bathroom? DEMONIC VOICE
(VOICEOVER): Murderer. ELECTRICIAN: Right. He owned half the town. Everybody owed him. Then he started putting
the screws to them. Foreclosing, raising
interest rates, putting people out of business. And then? He died. There was some commotion
in this town, everybody chanting and carrying on. Sure was a night. Was he murdered? I got nothing more to say. You just can’t
leave us like that. You didn’t finish your story. Hey, I’m not through yet. Just leave him alone. He scares me. That mental case is the
difference between a two-five and a three-five. We’re going back to his shop. He’s not getting off that easy. Then you can go alone. ERIC: Karen. I want him on the tape. Something terrible
happened here. I can feel it. You’re the one who believes
in all that psycho stuff. It’s all gone to your head. Doesn’t any of this bother you? Karen. I took nine hours
of abnormal psych. I’ve read it all. What are you doing? I didn’t say nothing! I didn’t– I think there’s something
wrong with the viewfinder. I just fixed it yesterday. Looks all right to me. What’s this? Scott’s video. Scott Phillips’ epic video? The one with the
big four points? What are you doing with it? He loaned us a copy. Us? He thought we’d get
a kick out of it. Couldn’t he wait until
the class viewings? Don’t be ridiculous. He thought it would
make our weekend. This I gotta see. [music playing] He got four points for that? The pictures out of focus. It has style, and
the music’s original. I think it’s great. Who are they? Their name’s Mercyland. They’re from Athens. (SINGING) Everybody’s
taken, so laugh. No one listens because
no one wants to hear about our shameful state. Will the future still appear? If we don’t start today,
and give some good a chance, we’ll lose everything
we have, so can we please start doing good deeds? The radio deeds. Here come the radio deeds. The radio deeds. Here come the radio deeds! The radio deeds. Here come the radio deeds. The radio deeds. Tape sucks. Professor Cortlin
didn’t think so. She always liked him. What’s so special
about it anyway? It’s entertainment. It doesn’t always have
to mean something. Careful with that. It’s not ours. It’s not going anywhere. Do I detect a little jealousy? Then you still like him? Of course. He’s our friend. He’s your friend too. What’s the matter with you? He’s spending a lot of
time with you lately. What am I supposed to think? Scott and I will
always be friends. I’m not gonna throw
away a friendship just because it didn’t work
out the way he wanted it to. Besides, that has nothing to do
with the way I feel about you. [music playing] You don’t know how lucky I
feel finding this can of air. $6.73, please. MALE VOICE (VOICEOVER):
We have to do something. [screaming] FEMALE VOICE (VOICEOVER):
The girl’s the problem. ERIC: What are you
doing that for? KAREN: I’m getting
shocked from the camera. It’s impossible for you to
get a shock from the camera. It only has 12 volts. Maybe there’s a short in it. Even if there was,
you wouldn’t feel it. Eric. I do know what an
electric shock feels like. So do I. Maybe you don’t
wanna do this interview. Talking with that electrician
is a waste of your time. He’s not all there. I want him in this interview. He knows something. Eric. This is supposed to be a
documentary on Casa Della, not a detective show. So far, all I’ve got is
a bunch of establishing shots of the house and a couple
of incomplete interviews. I’ve gotta get something
on tape, Karen, even if it means making it up. Well, fabricating a
murder doesn’t work for me. Well, that’s the
only lead I’ve got, so that’s what I’m gonna follow. Eric. All we’ve done is argue
since we started this. The more I see of
this town, the more I just wanna get out of here. I’ll grab a few more
shots, and we’ll leave, OK? OK. It doesn’t look
like anyone’s here. So what? That guy’s not gonna mind
us taping in his shop. This is another example
of the strange people we’ve encountered. False starts. Dead ends. Mystifying and compelling. The dark soul of Casa
Della still evades us, but yet we still continue
our elusive search. How was that? Very dramatic. Let’s get out of here. You better put that
back where you found it. Damn nice gun. KAREN: I wonder where
that electrician is. ERIC: So much for getting
that character on tape. What are you doing? I’m leaving. Look at this. That could’ve
come from anywhere. He probably stepped on
a dead bird outside. This place is for the birds. What about my project? This place reeks of death
and negative vibrations, and you walk around just
as if nothing happened. Well, whatever happened,
it’s all over, Karen. It’s all in the past. Whatever you’re afraid of,
it’s all in your imagination. I should’ve told you
about the accident. People just don’t stop
driving on a street just because there
was an accident on it. It doesn’t make sense. I know I don’t. Do you? No. Then don’t be stupid. [music playing] [buzzing] KAREN: I just don’t know how
I let you talk me into this. Because I’m charming,
sexy, and brilliant. Professor Cortlin is
not gonna like this. It’s too speculative. Of course she will. She gave Scott four points
for that ambiguous video. She’s gotta give me
at least a three. Now are you ready? I don’t think this
is a good idea. It’s all hypothetical. It doesn’t really matter. I just don’t think you’re
taking this seriously. I mean, what do you
think she’s gonna say when she sees you like this? She’ll probably get off on it. I mean, when’s the last time
that she’s seen one of these? See what I mean? You’re not taking
this seriously. I take you seriously. Now why don’t you come
in here and join me? Eric. Stop it. Are you ready to roll it? Tape’s rolling. Bathroom scene. Take one. Although the true matter
of Mr. Packard’s death remains unknown,
rumor has it, he died right here in this very tub. Perhaps a disgruntled person– [buzzing] Lord knows we’ve met a
lot of those, lately. One thing’s for certain. The motive wasn’t for
profit, as Mr. Packard died with no will,
no heirs, and title to the house moved
over to the state. That’s when Eric Richmond Senior
purchased it to convert it to a bed and breakfast lodge. What are you looking at? Thought I saw
something on the wall. Hm. Good idea. Make a lot of suds
and splashing. Make it look like
a real struggle. DEEP MALE VOICE (VOICEOVER):
It was horrible. You’ve seen it. You OK? Camera’s still
got a short in it. That’s impossible. Don’t tell me that
that’s just 12 volts. [static] I’ve been seeing things. Horrible things. And they’re on camera! I know. It sounds stupid. ERIC (ON TV): –his death
remains unknown, rumor has it, he died right here
in this very tub. Perhaps a disgruntled person. Lord knows we’ve met
a lot of those lately. One thing’s for certain. The motive wasn’t– That’s where I saw
something on the wall. Looks like there’s
some kind of stuff on the blanking interval that’s
bleeding into the picture. That’s not possible. It’s on this one too. That’ll be $30. Cash. ERIC (ON TV): What’s everyone
trying to hide around here? Old man Packard
died in this house. Right over there. KAREN (ON TV): In the bathroom? That’s the same pattern
that’s on the others. DEEP MALE VOICE (VOICEOVER):
I tried to be reasonable. MALE VOICE (VOICEOVER):
You’re starving our families. DEEP MALE VOICE
(VOICEOVER): Then leave. I own everything here. FEMALE VOICE (VOICEOVER):
He’s giving us no choice. DEEP MALE VOICE (VOICEOVER):
Your threats are idle. Karen. [interposing voices] You listening to me? [interposing voices] What’s the matter? [screaming] KAREN: It has no soul. It’s just a machine. I’ve seen that
look before, when you said you sense something. What is it? Leave me alone for
a few minutes, OK? I need to sort things out. ERIC: Are you all right? Yeah. ERIC: What do you think you saw? I didn’t see anything. It’s what I felt. I
can’t put it into words. Well, maybe you’re
allergic to electricity. I can’t remember anything
except for the fear. It’s like I was really
connected into the video camera. I don’t understand. It’s like the same
kind of feeling that I get when I
take a person’s hand and I feel things. This isn’t your every
day psychic experience. Not that I believe in that. Well, somehow,
there’s a connection. You’re asking me to
forget about everything I ever learned about physics. I’m not ready for that. It could be all in
your head, you know? It’s not my imagination, Eric. I know the difference. Well, grab your stuff. Let’s go to the motel. I’ll come by in the morning
and pack up this mess. You have to finish your tape. I’ll ask Cortlin
for an extension. I’ll do something else. She’ll never go for that. That’s the chance I gotta take. So what’s the big deal? I can graduate mid
term next semester. This place is getting to me too. You know, somebody
did kill him. So who cares? Let’s get out of here. I’ll get the truck. Come on. God damn it! Who cut this cable? Hi, Eric! Damn it, Scott. You’re lucky I didn’t
rip your face off. Psh. Don’t be so uptight about it. Is this one of your jokes? What? Somebody cut my battery cable. Oh, yeah, Eric. I drove out here 100 miles
to cut your battery cables and watch you
freak out about it. Yeah, I wouldn’t put it
past you after watching that sick video of yours. Well, that sick
video got my a 4.0. Yeah, I heard. So what are you doing here? Didn’t Karen tell you? I came out to help you. ERIC: No. She might’ve wanted
to surprise you. Yeah. Some surprise. So you had a trouble
with the natives, huh? It could’ve happened anywhere. Got any jumper cables? -Yeah, why?
-Get ’em. I’ll make a
temporary connection. Bring the red one. It’ll hold if you
watch the bumps. Why didn’t I think of that? The big news is, I’m
throwing in the towel. We’re staying at a motel tonight
and leaving in the morning. You’re quitting? There’s too many
weirdos in this town. They won’t do interviews. That wouldn’t be so bad, but
the tapes are all screwed up with interference
patterns, and she’s getting premonitions or something. Glad I asked. Anything else you wanna know? Maybe she is picking
up on something. I don’t believe in that stuff. It scares you, doesn’t it? What’s there to be afraid of? I don’t know. You tell me. Still the same old
dodo, aren’t you? Everything was just
like it used to be, until that girl showed up. She and that idiot
boyfriend are gonna find out what really happened. She’s connected. We can’t hide it
from her much longer. We’ve got to get rid of
them before it’s too late. I am not involved
in your problem. You are involved, whether
you like it or not. You live here. You share the guilt
with all of us. You wouldn’t have this shop. None of us could
have survived him. We had to take the
law in our own hands, and now you’ve got to help. I don’t wanna have
nothing to do with it. They’re not gonna
like your response. That’s their problem. Don’t be so stubborn, Sylvia. They’re gonna take matters
into their own hands and deal with it. You could be next. I’ve lived all these
years without being scared, not even of your witches coven. Now what? This place is getting
more like Grand Central Station every day. I don’t have any time to
fool with you tonight. And where did you get that? I gotta stop the killing. Not with that gun. You gonna leave that here. No. Boy, I don’t have
time to fool with you. Give this to me! Give it to me! Now you take your little
narrow ass out of here and take it home, and don’t
you get into any more trouble. Get! No wonder you’re
having problems. This is a bunch of junk. Well, you wanna watch the
tape or criticize the set up? You’re gonna have
a lot of problems with this poor equipment. Go ahead and play it back. DEMONIC VOICE: Murderer. ERIC: It’s like that
in all the tapes. Yeah, co-channel interference. There’s probably a
television station nearby. It’s definitely a TV picture. On the blanking
interval, frame by frame? Why not? They have Teletext in there. There’s more. –his death remains
unknown, rumor has it, he died right here
in this very tub. Perhaps a disgruntled person. Lord knows we’ve met
a lot of those lately. One thing’s for certain. The motive wasn’t for profit. This is where it happened. That’s where I got the jolt. This doesn’t look like
much of video project to me. What are you guys doing,
something X rated? They say he got murdered here. We did a reenactment. It’s true, Scott. ERIC: I think we’re
getting off the subject. You’re supposed to be
the electronic whiz. So come up with an answer. The power of our
minds is endless. ERIC: Very profound. Hey, who says we can’t
communicate with a machine, interface with
artificial Intelligence? What does that
have to do with us? She says there’s a connection. We just have to find it. Back to that, huh? Well, I’m not staying up all
night trying to figure it out. I’m tired. You wanna stay in a hotel,
or stay here for the night? Doesn’t make any
difference to me. I don’t care. We could just stay
here until the morning. I’ll be OK. I’ll be fine. Well, if you wanna stay
here, there’s a carpeted room across from ours. Night, Scott. SCOTT: You know when
it’ll happen, don’t you? In the middle of the night. That’s when all the
answers always come to you. Well, I doubt we’ll
be ready for it. ERIC (ON TV): Rumor
has it, he died right here in this very tub. Perhaps a disgruntled person. Lord knows we’ve met
a lot of those lately. One thing’s for certain,
the motive wasn’t– DEEP MALE VOICE (VOICEOVER):
They’ll kill you. [thunder booming] [sigh] What’s wrong? I don’t know. I think I had a deja vu. You? A deja vu? Yeah, I think so. What was it? I don’t know. Where are you going? I’m gonna check something out. Want me to come along? I’ll be back in a minute. Don’t take too long, huh? That’ll be $30, cash. ERIC (ON TV): What’s everyone
trying to hide around here? Old man Packard died in
this house, right up there. ERIC (ON TV): Where? KAREN (ON TV): In the bathroom? [shouting] [thunder booming] [thunder roaring] [creaking] [thunder booming] [thudding] That’ll be $30. Cash. ERIC (ON TV): What’s everyone
trying to hide around here? Old man Packard
died in this house. Right up there. ERIC (ON TV): Where? KAREN (ON TV): In the bathroom? [demonic grumbling] [banging] [radio playing] [knocking] Scott. What are you doing here? Couldn’t sleep. If Eric finds you
here, he’ll go crazy. You know how jealous he gets. He’s still trying to figure
out what’s in those video tapes. He’ll be there a long time. Why don’t you go
down and help him? It’s the middle of the night. Besides, he think he can
do everything himself, even when he doesn’t
know what he’s doing. Then why are you letting
him waste his time? I’m concerned about you. Can we talk, please? I’ve seen that look before. It’s happening again, isn’t it? You never want to believe
that you have a special gift. I’ve always believed it. I’ve envied you for it. Why are you fighting it? Because people will
think I’m crazy. Eric already thinks
I’m out of my mind. He doesn’t know
you as well as I do. It’s getting
stronger than ever. Lately, I’ve been
getting the feeling that I’m swimming or drowning. That’s pressure. It’s like I’m moving
against an invisible current. I don’t know where
it’s taking me. It’s possible your vibrations
were affecting the video tapes, you know? Scott. It’s too much. That has no basis in reality. It’s absurd. It is not. You know as well as I do that
brain waves, Kirlian energy, they all involve a
symbiotic connection between man and machine. They confirm all the
wonderful possibilities for the human brain. We haven’t even
scratched the surface. How outrageous and romantic. How could you? That too. Look. I’m still in love with you. Scott, please don’t. Don’t do that to
me, or yourself. You don’t just
stop loving someone. KAREN: I’ll always love you,
but not the way you want me to. Look. I don’t wanna lose you. You haven’t lost me. I’m your friend. We’re soul mates. You better go now, please. I need to ask you
something first. Can it wait ’til the morning? I guess it’s not
that important. Good night. Good night. Couldn’t sleep. You too, huh? Yeah. How’s it going? I’m getting nowhere. ERIC (ON TV): Where? KAREN (ON TV): In the bathroom? Why don’t you go up? I’ll figure it out. I’ve gone through
all the equipment. Nothing’s wrong with it. I’d like to take a
look at the tapes. Do you mind? Help yourself. Do you really think
our brain waves are screwing up the tapes? Why not? There’s people who still
think the Earth is flat. And you think I’m one of them? Maybe. This is your first contact
with stuff like this. Things just aren’t
going the way we planned. Yeah, I understand. I’d be a little edgy too. By the way. I thought your video
was pretty good. Yeah, I had a lot
of fun making it. Well, I guess I’ll go up. WOMAN (ON TV): You’re not gonna
get much help from anybody, ’cause they don’t want you here. ERIC (ON TV): I’m starting to
get the feeling loud and clear. WOMAN (ON TV): What makes
you think the people are talking about you? I’m talking about you. DEEP MALE VOICE
(VOICEOVER): Murder. She was here earlier, trying
to get me involved in your plan. You have no choice, Sylvia. I run this town now, and
you’ll do exactly as I say. To hell you say. And why don’t you
leave those kids alone? Too many people
have died already. You’re coming with
me if I have to drag you out of here by force. Read my lips. I am not going anyplace. That girl is picking
up on everything. Pretty soon, she’ll be
broadcasting to everybody that we killed Mr. Packard! We? Don’t include me. I know he’s a dirty
son of a bitch, but I didn’t have
anything to do with it. What are you doing? What I should’ve
done a long time ago! Give me that. Let go! [screaming] Tsk tsk tsk. You still awake? Yes. I can’t sleep. My stomach’s in knots. Is it Scott? Nah, he’s all right. I told him I liked his video. It’s my fault, isn’t it? Nah. I can’t put my finger on it,
but there’s something going on here I don’t understand. Maybe Scott’s right. Maybe there is something
going on between your mind and the tape. Who am I to say? Do you wanna go
down and help him? I think we better. I’m sorry I gave you the
impression of being jealous. It’s kinda hard dealing with
a former boyfriend, you know? I know. [thunder crashing] DEEP MALE VOICE
(VOICEOVER): Now you know. Then leave. Your threats are idle. I’ll get even. [screaming] [screaming] [door clicking] Eric, is this another
one of your jokes? Eric? Eric? Eric. Ah! Scott! What’s going on? [screaming] Those are the visions. That’s what I saw
through the viewfinder. That’s what you
were talking about. I’m sorry. DEMONIC VOICE (VOICEOVER):
They’ll kill you. Someone’s trying to kill us. Scott. Stay here. I’ll look for him. I’m going too. Karen, I’m a guy, remember? And what’s that
supposed to mean? Just stay here
and lock the door. DEMONIC VOICE (VOICEOVER):
They don’t want you here. Scott! Hey, pal. Eric, it’s over. Hang in there. You’ll be all right. I’ve gotta stop the bleeding. Sorry about that. It’s OK. There’s a lady in the house. She’s in yellow. Lie still. There’s an old lady in
the house who’s in yellow. I’ll get Karen. We’ll be right back. Hold that tight. Don’t worry. [knocking] I found him. He’s hurt bad. We have to get
him to a hospital. Your hand! ERIC: Come on. Help me. Take his legs. We gotta use Scott’s car. There’s a short in the fan. SCOTT: No. No. ERIC: Relax. No gas. His keys. Look in his pockets. (DEMONIC) She has them. There’s no time
for games, Scott. Where are your keys? They’re not in here. They’re probably in his
sweater in his room. Geez. Can’t you carry
your keys with you? Here goes nothing. SCOTT: Gas. Why do you keep saying that? Gas. Truck. The truck’s got a short. The car’s out of gas. You know better
than to be driving around with half a tank. Look. Give me a brake. Let me borrow $10. Take us to the truck. I fixed it. Oh my god. I don’t know if I can do it. Ah. Oh no. [screaming] FEMALE VOICE (VOICEOVER):
The girl’s the problem. Hold this. I’ll go get Eric. DEMONIC VOICE
(VOICEOVER): I warned you. It’s too late. Eric? Eric? Eric. [screaming] Ah! [screaming] Where’s Eric? KAREN: Scott. Just lie still. I know she’s still out there. I have to find Eric. I just can’t leave him here. [engine stalling] Ah! [screaming] [engine revving] [screaming] DEMONIC VOICE
(VOICEOVER): I’m even. [screaming] You OK? I’m all right. Let’s just get out of here. Karen. I love you. I love you. FEMALE VOICE (VOICEOVER):
Don’t come back. So much for passing this class. Let’s just get away
from this nightmare. [music playing]